Kitchen (A Black cat book) Review

Average Reviews:

(More customer reviews)When my friend Mini sent me this gift, I wanted to immediately loose myself in the pages. I kept thinking it was truly a book I would want to read all in one sitting. I wanted to curl up on a couch and have my two cats sleeping at my feet and how right I was!
Once I started reading, (my husband sound asleep, cats sleeping at my feet, and the house deathly quiet except for the quiet humming of the refrigerator), I was immediately drawn into Mikage Sakurai's world.
Banana Yoshimoto uses luscious descriptions of food and kitchens. She describes people and places with such poignancy, you truly feel connected to them. Her thoughts burst onto each page with such honesty, you cannot help but fall in love with her innocent, charming writing style.
There are life and death issues in "Kitchen," we can all relate to. Her evocative writing will fill you with nostalgia for some of the cooking spaces you have perhaps left behind. Mostly I love my grandmother's kitchen best. The familiar creak of the oven door, the scooting sound of the chairs as we sit for a cup of tea, and the racks of cookbooks patiently waiting on the shelves. To imagine this kitchen without my grandmother was to imagine the entire house without a soul, without love, and without peace.
This is the emotion Mikage feels as she sleeps on the floor in her grandmother's kitchen. After loosing her grandmother, Mikage is lost, lonely and depressed. Her soul longs for the comfort of another soul who can understand her torment. She feels as though death surrounds her and she cannot escape.
For a time she finds happiness with Yuichi, who knew her grandmother well. He is living with his mother Eriko. Mikage goes to live with them until she can learn to handle her emotions.
Yuichi's girlfriend is not impressed, even though the relationship is purely platonic on the surface. Deep within their souls they are soon to become twins, bearing the scars of a common life experience.
Banana Yoshimoto's writing is fresh, real and casts a spell on the reader. I would have preferred the book to end on page 105. She does truly seize hold of your heart and I wanted the book to either end or I wanted one more chapter in place of Moonlight Shadow.
I found the second book did not belong with the beautiful yet somewhat unfinished story of Yuichi and Mikage. I think you will agree. In fact, I suggest that when you get to page 105, you close the book and come back later to read the second story.
I find her writing to be most inspirational when she has fully developed her characters. To truly appreciate this book, you must love food and kitchens, that is the magic.
~The Rebecca Review

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With the publication of Kitchen, the dazzling English-language debut that is still her best-loved book, the literary world realized that Yoshimoto was a young writer of enduring talent whose work has quickly earned a place among the best of contemporary Japanese literature. Kitchen is an enchantingly original book that juxtaposes two tales about mothers, love, tragedy, and the power of the kitchen and home in the lives of a pair of free-spirited young women in contemporary Japan. Mikage, the heroine, is an orphan raised by her grandmother, who has passed away. Grieving, Mikage is taken in by her friend Yoichi and his mother (who is really his cross-dressing father) Eriko. As the three of them form an improvised family that soon weathers its own tragic losses, Yoshimoto spins a lovely, evocative tale with the kitchen and the comforts of home at its heart.In a whimsical style that recalls the early Marguerite Duras, "Kitchen" and its companion story, "Moonlight Shadow," are elegant tales whose seeming simplicity is the ruse of a very special writer whose voice echoes in the mind and the soul.

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