Showing posts with label immigration. Show all posts
Showing posts with label immigration. Show all posts

In the Kitchen: A Novel Review

In the Kitchen: A Novel
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Here's my dilemma. Based on In the Kitchen, Monica Ali clearly is a talented writer with an eye for detail and a rare gift for turning a phrase and expressing insights in fresh ways. At the same time, she's produced a novel that is too often a slog and painful to read. There are so many characters, it's hard to keep track of them (particularly all the kitchen staff), and few are especially likable; none are especially engaging. (In 436 pages, I didn't get emotionally involved with any of them--not even the pathetic waif the protagonist takes in or the kitchen crew whose back stories veered from the horrific to the banal.)
The plot just creeps along for 4/5 of the book, until close to the end, when the main character, Gabe, begins to self-destruct in earnest, but by then I just yawned and kept asking, "What is he doing now, and why?" Ali has a tendency to digress into lengthy philosophical discussions with little or no bearing on the plot, and then keep hammering long after her character has made his point. She has an almost obsessive fascination with detail--way, way too much detail--which bogs down the plot, such as it is. More than once I seriously considered just casting the book aside and moving on to the next one in my stack. In the end I finished it, but only just.
So my dilemma: How to rate a book that's so obviously flawed but where the author is so obviously talented? If I could give half-stars, this would probably be three and a half, if only in appreciation for Monica Ali's extraordinary way with words and her extensive knowledge of how restaurants work. I haven't read Brick Lane or seen the movie, so I can't speak to whether In the Kitchen is just a sophomore slump. But I will say that she sure could have used a better editor.

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The Summer Kitchen Review

The Summer Kitchen
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Home is a 26-acre estate in the Westchester town of Bedford, New York, where her neighbors are Ralph Lauren and Martha Stewart. But home is also three separate condominiums in Manhattan. Vacations mean Barbados. February is the annual clothes-shopping event in Milan. She drives a gold BMW X5.
And then her husband --- who has financed this extravagant life by bilking investors out of an estimated $12 million --- pleads guilty to wire fraud and goes to jail for a year.
That white-collar criminal's wife is a great character. Once rich, now poor. Once part of a power couple in a community where only couples count, now alone and scorned. How will she support her three young children?
But wait. That's no fictional character --- that's Karen Weinreb. How did she fix her life? She used what she'd learned studying literature and her experience at Random House, and wrote a 340-page first novel.
In the novel, Nora Banks --- Weinreb's stand-in --- is "the perfect Bedford wife and mother." High cheekbones. Long blonde hair. Glowing skin. An hourglass waist. Almond-sized diamond engagement ring. The icing? She's a gifted baker. "Much more Martha than Martha," a friend says. "You not only have a gorgeous husband --- you're not under house arrest."
But, really, at the start of the novel, Nora is shallow as glass. And, thus, not terribly likeable --- or is that just because I'm a guy who's often experienced women like her, at parties, looking over my shoulder at bigger game?
Nora is even less likeable on November 1st, when she thinks that the early morning knocking on the door means nothing more than overly zealous trick-or-treaters. Wrong. It's the FBI, come to arrest her husband.
What follows is a delicious social drama. Everyone drops Nora except for the kids' nanny, a bosomy South American saint who dispenses more wisdom than Gabriel Garcia Marquez. Oh, and her new friend, a sexually avaricious and larcenous lawyer who does everything but twirl his moustache. Not that she notices --- she's too busy working up a world-class hate on her husband.
If these were the only elements in "The Summer Kitchen", it would be a tawdry summer read, perfect for beaches slightly less crowded because of Bernie Madoff. Happily, Weinreb has a gift. Even better, she's savvy about people --- starting with herself.
I'm not spoiling the novel for you if I reveal there is an arc to the plot. It's a stunner: Nora realizes that her husband didn't act alone. She knew nothing of his machinations --- she wasn't his co-conspirator --- but she was the one with the hunger for things and trips and status. In his eagerness to provide all that for her, her husband --- a basically good man --- crossed the line.
The author's astonishing willingness to implicate her main character (and herself) places "The Summer Kitchen" above formulaic chick lit. Our questions thus go beyond "Will her baking business make it?" and "Will she sleep with the crooked lawyer?" to "Will she reconcile with her husband?"
I turned pages greedily, eager to find out.

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When Nora Banks goes to answer the doorbell very early one November 1st, she thinks it must be a group of teen pranksters still out trick-or-treating. But it's no prank—it's the Feds, who have come to arrest her husband Evan for a white collar crime. Nora's enviable, privileged life in the eighteenth-century house she'd quit her job to renovate to museum-quality perfection, is upended in an instant. The Bedford wives close ranks against Nora and her children. Nora's only support comes from her children's nanny Beatriz. The two women bond to raise the boys as smoothly as possible while Nora goes back to work. Baking has always been her biggest passion, so she launches a business of her own, the Summer Kitchen. Tempted by the offer of an affair with one of the local husbands and thwarted by an alpha wife who actively tries to shut down her business, Nora has to reach into reserves she didn't know she had to support her family and change her way of thinking about life, family, money, and romance.

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The Kitchen House: A Novel Review

The Kitchen House: A Novel
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"The Kitchen House"
After reading "The Kitchen House" I believe that Kathleen Grissom has crafted an absorbing historical tale that probes the darkest edges in this villainous period of American history by employing an extraordinary and distinctive approach. The author cleverly created two contrasting protagonists, Lavinia, the white girl-to-woman, and Belle, the mixed race slave, to move the story alternately from their separate perspectives; Ms. Grissom guides the reader into the deepest reaches of the soul of each character in the book. For me, at least, this memorable cast of characters, from the good ones to the downright evil ones seems to have established permanent residence in my thoughts. While I agree with M. Jacobsen's comment that Belle's chapters could have been longer (I really loved Belle), I don't believe her role to be less significant than Lavinia's. Lavinia, as a white person observes and shares the slave experience from within. This approach is unique, I think. At least, I don't recall encountering the technique in literature, and I found it extremely compelling.
The actual historical events of the period are less prominent than the actions, emotions and motivations of the people who live on either side of the implied, but not to be violated, boundary between the races. I think that the complicated relationships between Lavinia and Belle, Mama, and many of the other characters, allow the reader to discover tiny, but significant, cracks in this boundary through which the plot races along from crisis to crisis and then to the shocking, yet fitting conclusion.
Ms. Grissom obviously conducted exhaustive research into the time period of the book. As a born Canadian, she must be commended. In the book she succeeded in describing the customs, mores and artifacts of this period in a clear and entertaining way. Often, when reading a novel, I tend to skip over descriptive passages so as not to interrupt plot progression and character development. In "The Kitchen House" I found the descriptions and details charming and sometimes melancholy. Who can forget, now, what a vasculum is, or forget the image of little slave children pulling the cords of the ceiling fans in the dining rooms to cool their masters on stifling summer days?
I enjoyed reading this book so much that I bought several extra copies to share a very inspiring and special reading experience with special people. So, Ms. Grissom - will we be finding out what happens to the "Kitchen House" characters in the next generation? Kathleen Grissom's powerful first novel leaves me eagerly awaiting the next, whether or not it is a sequel or a totally new historical novel from a totally different perspective.
Reviewer,
D. Eckert


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