Showing posts with label life changing. Show all posts
Showing posts with label life changing. Show all posts

In the Kitchen: A Novel Review

In the Kitchen: A Novel
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Here's my dilemma. Based on In the Kitchen, Monica Ali clearly is a talented writer with an eye for detail and a rare gift for turning a phrase and expressing insights in fresh ways. At the same time, she's produced a novel that is too often a slog and painful to read. There are so many characters, it's hard to keep track of them (particularly all the kitchen staff), and few are especially likable; none are especially engaging. (In 436 pages, I didn't get emotionally involved with any of them--not even the pathetic waif the protagonist takes in or the kitchen crew whose back stories veered from the horrific to the banal.)
The plot just creeps along for 4/5 of the book, until close to the end, when the main character, Gabe, begins to self-destruct in earnest, but by then I just yawned and kept asking, "What is he doing now, and why?" Ali has a tendency to digress into lengthy philosophical discussions with little or no bearing on the plot, and then keep hammering long after her character has made his point. She has an almost obsessive fascination with detail--way, way too much detail--which bogs down the plot, such as it is. More than once I seriously considered just casting the book aside and moving on to the next one in my stack. In the end I finished it, but only just.
So my dilemma: How to rate a book that's so obviously flawed but where the author is so obviously talented? If I could give half-stars, this would probably be three and a half, if only in appreciation for Monica Ali's extraordinary way with words and her extensive knowledge of how restaurants work. I haven't read Brick Lane or seen the movie, so I can't speak to whether In the Kitchen is just a sophomore slump. But I will say that she sure could have used a better editor.

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The Kitchen House: A Novel Review

The Kitchen House: A Novel
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"The Kitchen House"
After reading "The Kitchen House" I believe that Kathleen Grissom has crafted an absorbing historical tale that probes the darkest edges in this villainous period of American history by employing an extraordinary and distinctive approach. The author cleverly created two contrasting protagonists, Lavinia, the white girl-to-woman, and Belle, the mixed race slave, to move the story alternately from their separate perspectives; Ms. Grissom guides the reader into the deepest reaches of the soul of each character in the book. For me, at least, this memorable cast of characters, from the good ones to the downright evil ones seems to have established permanent residence in my thoughts. While I agree with M. Jacobsen's comment that Belle's chapters could have been longer (I really loved Belle), I don't believe her role to be less significant than Lavinia's. Lavinia, as a white person observes and shares the slave experience from within. This approach is unique, I think. At least, I don't recall encountering the technique in literature, and I found it extremely compelling.
The actual historical events of the period are less prominent than the actions, emotions and motivations of the people who live on either side of the implied, but not to be violated, boundary between the races. I think that the complicated relationships between Lavinia and Belle, Mama, and many of the other characters, allow the reader to discover tiny, but significant, cracks in this boundary through which the plot races along from crisis to crisis and then to the shocking, yet fitting conclusion.
Ms. Grissom obviously conducted exhaustive research into the time period of the book. As a born Canadian, she must be commended. In the book she succeeded in describing the customs, mores and artifacts of this period in a clear and entertaining way. Often, when reading a novel, I tend to skip over descriptive passages so as not to interrupt plot progression and character development. In "The Kitchen House" I found the descriptions and details charming and sometimes melancholy. Who can forget, now, what a vasculum is, or forget the image of little slave children pulling the cords of the ceiling fans in the dining rooms to cool their masters on stifling summer days?
I enjoyed reading this book so much that I bought several extra copies to share a very inspiring and special reading experience with special people. So, Ms. Grissom - will we be finding out what happens to the "Kitchen House" characters in the next generation? Kathleen Grissom's powerful first novel leaves me eagerly awaiting the next, whether or not it is a sequel or a totally new historical novel from a totally different perspective.
Reviewer,
D. Eckert


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